But Peony confronts many obstacles, the least of which is the unfinished state of her written critical commentary on The Peony Pavillion. Although abundant in number and talent, China’s earliest female writers were often published posthumously and anonymously. Yet, working between the worlds of life and death, Peony manages to have her work published and, more important, her words recognized by Wu Ren.What kind of reconciliation can Peony possibly expect when so many ancient rules were broken, so many rituals left unperformed? How can a ghost-wife love a husband who loves someone else? See’s rich writing style will keep you turning pages for answers. Drawing from resources including Tang Xianzu’s opera The Peony Pavillion, which was first published in 1598, Wu Wushan’s Three Wives’ Collaborative Commentary on The Peony Pavillion, Jingmei Chen’s dissertation The Dream World of Love-Sick Maidens, a plethora of scholarly research and personal interviews See weaves a haunting blend of history and love.
Peony in Love
Random House (June 26, 2007)